Just got back from seeing 120 Days at Mercury Lounge. Seeing a band live can be a real hit or miss experience. It takes a certain skill to sound good live -- a skill that isn't a necessary consequence of being a good musician. 120 Days definitely has that skill.
Perhaps all that gear they travel with helps. The stage at Mercury Lounge is tiny, so it's a wonder that all the synthesizers, drum machines, effects boxes, amplifiers and what not managed to find space. One gizmo was stacked atop another gizmo and yet another, creating what looked (and sounded) like a wall of sound.
Before tonight, I hadn't realized that they don't make much use of any guitars. When I first came upon them, they struck me as very reminiscent of Joy Division, which is a band that's decidedly non-electronic. I had assumed that much of the source of 120 Days' atmospheric swirls were the result of effects-processed guitars. But that's just not the case. They bring out a guitar every now and then, but it's the synthesizers that do the bulk of the work. Quite surprising for a band that has such a hard-edge sound.
Sunday, March 11, 2007
Monday, March 5, 2007
Have You Tried Standing?
Work has afforded me quite a few opportunities to travel to interesting places lately. Last weekend, I was in Keystone for a retreat put together for my firm's Intellectual Property Practice Group. The main purpose was for people in the group from our various offices to get to know each other better and integrate their practices more effectively. The slightly-less-main purpose was to have lots of fun.
We were welcome to invite guests so long as they paid their own way, and I took full advantage. (I found it amusing that the only two associates who invited more than one guest were both Asian. We sure do know how to maximize value.) I've got one friend from Orange County (California, that is -- as in the O.C.) who's an avid snowboarder, and another from Dallas who just got started. So I asked them to come along and show me the ropes.
Guess which one's the beginner? Yup. That's right. The dope without a helmet who's futzing with a camera on the lift. I'd never snowboarded, and it was definitely a challenge. Take a look below for a recurring theme from the weekend.
It's no surprise that the parts of my body that ached most were my arms -- from picking my ass off the ground so many times. But a jolly good time was had by all. Thanks, O.C. friend, for documenting my ineptitude.
We were welcome to invite guests so long as they paid their own way, and I took full advantage. (I found it amusing that the only two associates who invited more than one guest were both Asian. We sure do know how to maximize value.) I've got one friend from Orange County (California, that is -- as in the O.C.) who's an avid snowboarder, and another from Dallas who just got started. So I asked them to come along and show me the ropes.
 |
| From Keystone |
It's no surprise that the parts of my body that ached most were my arms -- from picking my ass off the ground so many times. But a jolly good time was had by all. Thanks, O.C. friend, for documenting my ineptitude.Crying Man Child Lives
A short while ago, I recounted my run-in with the Crying Man Child and my friend's brilliant idea of registering cryingmanchild.com. Lo and behold, he did it, and Crying Man Child is alive! We should each quit our jobs now and move on to bigger and better things, like coming up with yet another thing that no one will understand or care about. And we wonder why we slave away at a law firm ...
We Met in a Chat Room
I've been shamefully delinquent with the postings. It got so bad that I was mocked from Hong Kong today. Of course, the mockery was unnecessary. It's embarrassing enough to see that I went through all of February without writing a damn thing. And the two entries since then consist of a placeholder and an article pilfered from the AP. Good thing shame has a way of getting you off your ass.
There's quite a backlog of things to write about. But, for the moment, the backlog will have to remain undisturbed, because I just read a rather strange story about Mew that deserves to jump the queue. (They're playing Irving Plaza in a couple of weeks. Woohoo!)
The journey started on Myspace, as I curiously hopped from one band site to another to see the people each band features as friends. Robin Guthrie has Rachel Goswell, who has Saint Etienne, who has Annie, and so on and so forth. You could probably get a pretty good game of "Six Degrees of David Bowie" going. Anyhow ... I eventually worked my way over to Mew's site and was reminded that Frengers finally became available stateside a few weeks ago. (Hokey, yet catchy. Not quite friends, not quite strangers. Frengers.) Because I'd been on Pitchfork earlier in the day to get a glimpse of what they had to say about The Arcade Fire's new album (out tomorrow -- woohoo!), I figured I'd stop by to see their take on Frengers. (Not that it matters, because I bought Frengers as an import long ago, and who really cares what Pitchfork says anyway. Yeah, I do see the non sequitir.) No review of Frengers, but there was this interesting blurb about the female vocals on "Symmetry."
Basically, the female vocals were provided by a 13-year-old American girl whom Jonas met online when she was all of 11. As she tells it (read the Biography and the interview), she met Jonas in a chat room while looking for others interested in Hanson. Jonas said he wasn't interested (phew!) but asked her what else she liked listening to. One thing led to another, and eventually the little girl was flying off to Copenhagen with her mom to record "Symmetry."
A bit creepy, yet kinda sweet. Let that be a lesson to ya. There's no shame in meeting a girl online, or in professing your love for Hanson.
There's quite a backlog of things to write about. But, for the moment, the backlog will have to remain undisturbed, because I just read a rather strange story about Mew that deserves to jump the queue. (They're playing Irving Plaza in a couple of weeks. Woohoo!)
The journey started on Myspace, as I curiously hopped from one band site to another to see the people each band features as friends. Robin Guthrie has Rachel Goswell, who has Saint Etienne, who has Annie, and so on and so forth. You could probably get a pretty good game of "Six Degrees of David Bowie" going. Anyhow ... I eventually worked my way over to Mew's site and was reminded that Frengers finally became available stateside a few weeks ago. (Hokey, yet catchy. Not quite friends, not quite strangers. Frengers.) Because I'd been on Pitchfork earlier in the day to get a glimpse of what they had to say about The Arcade Fire's new album (out tomorrow -- woohoo!), I figured I'd stop by to see their take on Frengers. (Not that it matters, because I bought Frengers as an import long ago, and who really cares what Pitchfork says anyway. Yeah, I do see the non sequitir.) No review of Frengers, but there was this interesting blurb about the female vocals on "Symmetry."
Basically, the female vocals were provided by a 13-year-old American girl whom Jonas met online when she was all of 11. As she tells it (read the Biography and the interview), she met Jonas in a chat room while looking for others interested in Hanson. Jonas said he wasn't interested (phew!) but asked her what else she liked listening to. One thing led to another, and eventually the little girl was flying off to Copenhagen with her mom to record "Symmetry."
A bit creepy, yet kinda sweet. Let that be a lesson to ya. There's no shame in meeting a girl online, or in professing your love for Hanson.
Friday, March 2, 2007
Please Excuse the Intrusion
Couldn't help but laugh when I saw the headline for this story.
Swiss Accidentally Invade Liechtenstein
THE ASSOCIATED PRESS
Published: March 2, 2007
Filed at 8:43 a.m. ET
ZURICH, Switzerland (AP) -- What began as a routine training exercise almost ended in an embarrassing diplomatic incident after a company of Swiss soldiers got lost at night and marched into neighboring Liechtenstein.
According to Swiss daily Blick, the 170 infantry soldiers wandered 2 kilometers (1.2 miles) across an unmarked border into the tiny principality early Thursday before realizing their mistake and turning back.
A spokesman for the Swiss army confirmed the story but said that there were unlikely to be any serious repercussions for the mistaken invasion.
''We've spoken to the authorities in Liechtenstein and it's not a problem,'' Daniel Reist told The Associated Press.
Officials in Liechtenstein also played down the incident.
Interior ministry spokesman Markus Amman said nobody in Liechtenstein had even noticed the soldiers, who were carrying assault rifles but no ammunition. ''It's not like they stormed over here with attack helicopters or something,'' he said.
Liechtenstein, which has about 34,000 inhabitants and is slightly smaller than Washington DC, doesn't have an army.
Swiss Accidentally Invade Liechtenstein
THE ASSOCIATED PRESS
Published: March 2, 2007
Filed at 8:43 a.m. ET
ZURICH, Switzerland (AP) -- What began as a routine training exercise almost ended in an embarrassing diplomatic incident after a company of Swiss soldiers got lost at night and marched into neighboring Liechtenstein.
According to Swiss daily Blick, the 170 infantry soldiers wandered 2 kilometers (1.2 miles) across an unmarked border into the tiny principality early Thursday before realizing their mistake and turning back.
A spokesman for the Swiss army confirmed the story but said that there were unlikely to be any serious repercussions for the mistaken invasion.
''We've spoken to the authorities in Liechtenstein and it's not a problem,'' Daniel Reist told The Associated Press.
Officials in Liechtenstein also played down the incident.
Interior ministry spokesman Markus Amman said nobody in Liechtenstein had even noticed the soldiers, who were carrying assault rifles but no ammunition. ''It's not like they stormed over here with attack helicopters or something,'' he said.
Liechtenstein, which has about 34,000 inhabitants and is slightly smaller than Washington DC, doesn't have an army.
Thursday, March 1, 2007
And Now, for Something Completely Different
Just a short entry to displace the last one. A bit too eerie to have an entry about death hang around at the top for such a long time. Of course, the better solution would be to write more regularly. But this will have to do for now. Sometimes, "not horrible" has to be good enough.
Thursday, January 25, 2007
The End of Consciousness
The funeral last weekend got me to ruminate on something I used to obsess about: death. When I was growing up, the thought that I'd cease to exist one day scared the hell out of me -- often to the point of paralysis. Of course, I first had to grasp the concept before I could be scared by it.
I remember with vivid clarity the moment I came to understand what it means to die. I was at a church camp in Huntsville during the summer between third and fourth grade. (When my family first got to the States, we went to church regularly. Being Buddhist didn't mesh with the fabric of our Americanized social circle. Let's put aside my current views on religion for another day.) At one of the morning Bible study sessions, the topic of discussion was the concept of heaven and what happens to your soul when you die. The whole thing just didn't make sense to me.
That night, I attended a mixer that was really intended for older kids. I felt out of place and went outside with one of my buddies -- a buddy whose family attended church not to fit in but because they were believers. (Or so it seemed to me anyway.) I figured he must've understood the Bible study session that morning better than I did, so I asked him to explain what happens to us when we die. I found his response unsatisfying, and I must've let it show, because he took off and went back inside.
As I stood there on my own, I stared up at the sky and saw the many stars staring back at me. Just then, it hit me. I'm not going to be able to remember any of this one day. I won't be able to think anymore one day. I'm going to lose consciousness forever one day. That realization scared me, but it also angered me, because it all seemed so senseless.
I don't remember so vividly what happened next. But I do remember lying in bed many a night afterwards praying to a God whose existence I doubted for his grace in not letting me die.
An even more devastating moment came a few years later, when I learned that the sun would one day cease to shine. Before that moment, I took some solace in the thought that, even when you die, your legacy stays behind -- whether in the memories of others, in the things that you've written or in the form of your children. When I learned that the sun would one day cease to shine, I understood that, one day, the world would cease to exist. That realization seemed even more senseless than the realization that I'd die some day.
I suppose it's little coincidence that I eventually discovered and grew to admire Camus. As he puts it: "There is but one truly serious philosophical problem, and that is suicide." I guess, even as a kid, I was already an existentialist.
Epilogue
This just came to me. I wish I had my heavily marked-up copy of The Stanger handy so that I could insert direct quotes, but paraphrasing will have to do. (I lent that copy to my sister, which essentially means that I sent it into a black hole.)
While Meursault was in prison, an official became annoyed with his godlessness and demanded to know what he wanted in the afterlife. Meursault's response?
To remember this one.
I remember with vivid clarity the moment I came to understand what it means to die. I was at a church camp in Huntsville during the summer between third and fourth grade. (When my family first got to the States, we went to church regularly. Being Buddhist didn't mesh with the fabric of our Americanized social circle. Let's put aside my current views on religion for another day.) At one of the morning Bible study sessions, the topic of discussion was the concept of heaven and what happens to your soul when you die. The whole thing just didn't make sense to me.
That night, I attended a mixer that was really intended for older kids. I felt out of place and went outside with one of my buddies -- a buddy whose family attended church not to fit in but because they were believers. (Or so it seemed to me anyway.) I figured he must've understood the Bible study session that morning better than I did, so I asked him to explain what happens to us when we die. I found his response unsatisfying, and I must've let it show, because he took off and went back inside.
As I stood there on my own, I stared up at the sky and saw the many stars staring back at me. Just then, it hit me. I'm not going to be able to remember any of this one day. I won't be able to think anymore one day. I'm going to lose consciousness forever one day. That realization scared me, but it also angered me, because it all seemed so senseless.
I don't remember so vividly what happened next. But I do remember lying in bed many a night afterwards praying to a God whose existence I doubted for his grace in not letting me die.
An even more devastating moment came a few years later, when I learned that the sun would one day cease to shine. Before that moment, I took some solace in the thought that, even when you die, your legacy stays behind -- whether in the memories of others, in the things that you've written or in the form of your children. When I learned that the sun would one day cease to shine, I understood that, one day, the world would cease to exist. That realization seemed even more senseless than the realization that I'd die some day.
I suppose it's little coincidence that I eventually discovered and grew to admire Camus. As he puts it: "There is but one truly serious philosophical problem, and that is suicide." I guess, even as a kid, I was already an existentialist.
Epilogue
This just came to me. I wish I had my heavily marked-up copy of The Stanger handy so that I could insert direct quotes, but paraphrasing will have to do. (I lent that copy to my sister, which essentially means that I sent it into a black hole.)
While Meursault was in prison, an official became annoyed with his godlessness and demanded to know what he wanted in the afterlife. Meursault's response?
To remember this one.
Tuesday, January 23, 2007
The Tick Tock of Life
I had to go home to Houston to attend a funeral over the weekend. My mom called last week to tell me that my "uncle" from Kingsville died. He wasn't really my "uncle" in the blood relations sense, but that's beside the point.
I really don't know him very well, but I hold fond memories of him and his family. When I first got to the States, my sisters and I spent weeks each summer at their house in Kingsville. Those were the summers during which I was introduced to Americana. I ate meals with the family at the dining table. I swam in the backyard swimming pool. I splashed about in the waves at South Padre Island. I learned to play Uno. I bought a Nolan Ryan glove at the local Wal-Mart. In short, I became more American. For an FOB kid struggling to fit in at school, that meant a lot.
The funeral wasn't a somber occasion, which was refreshing. Most everyone was in good spirits -- a life-affirmation sort of mode. It was good to see all my "cousins" again. I hadn't seen most of them in years.
I really don't know him very well, but I hold fond memories of him and his family. When I first got to the States, my sisters and I spent weeks each summer at their house in Kingsville. Those were the summers during which I was introduced to Americana. I ate meals with the family at the dining table. I swam in the backyard swimming pool. I splashed about in the waves at South Padre Island. I learned to play Uno. I bought a Nolan Ryan glove at the local Wal-Mart. In short, I became more American. For an FOB kid struggling to fit in at school, that meant a lot.
The funeral wasn't a somber occasion, which was refreshing. Most everyone was in good spirits -- a life-affirmation sort of mode. It was good to see all my "cousins" again. I hadn't seen most of them in years.
Monday, January 22, 2007
Sirens in the Desert Beckon Again
The lineup for Coachella 2007 has been announced, and I'm concerned how we're gonna make this work.
I've known for a while that the festival would run for three days instead of two this year. When I got that news, I felt a sense of dread instead of excitement. Sure, an extra day means extra bands. But it also means that the talent pool each day will be even more diluted than it already was.
Aside from a concern about the talent, I was also concerned about getting everyone to show up for three days worth of sweating in the desert. It was hard enough last year as it was. I knew three days would be a near-impossible sell.
So the lineup comes out, and my sense of dread is affirmed. A couple of must-sees here and there sprinkled amongst a whole lot of "huh?" I mean, Willie Nelson? Makes even less sense than Madonna. I relented last year and dropped by the dance tent to catch a glimpse of Madonna. If I'm there for Day Three this year, you can bet that I won't be swinging by Willie's tent.
Of the bands on the roster this year, I'm most excited about seeing Interpol. I've been a huge fan for several years now, but I've somehow managed not to catch them live ... and they're from NYC.
I can still remember quite vividly the first time I heard about Interpol. It was March of 2003, and I was having brunch with someone who had just seen Interpol the night before. She raved and raved about them, but I had no idea what she was talking about. Part of the reason we were having brunch together was that I thought we had similar musical sensibilities. But her ebullient summation of the Interpol show made me realize that we weren't on the same page: she was living in the present whereas I was stuck in the 90's. I went home that afternoon and bought 10 new CDs. I think that was the beginning of the re-immersion process. Interesting how someone who drifts into your life for only a fleeting moment can have such a dramatic effect on the course of your development.
We'll see how Coachella 2007 shakes out.
I've known for a while that the festival would run for three days instead of two this year. When I got that news, I felt a sense of dread instead of excitement. Sure, an extra day means extra bands. But it also means that the talent pool each day will be even more diluted than it already was.Aside from a concern about the talent, I was also concerned about getting everyone to show up for three days worth of sweating in the desert. It was hard enough last year as it was. I knew three days would be a near-impossible sell.
So the lineup comes out, and my sense of dread is affirmed. A couple of must-sees here and there sprinkled amongst a whole lot of "huh?" I mean, Willie Nelson? Makes even less sense than Madonna. I relented last year and dropped by the dance tent to catch a glimpse of Madonna. If I'm there for Day Three this year, you can bet that I won't be swinging by Willie's tent.
Of the bands on the roster this year, I'm most excited about seeing Interpol. I've been a huge fan for several years now, but I've somehow managed not to catch them live ... and they're from NYC.
I can still remember quite vividly the first time I heard about Interpol. It was March of 2003, and I was having brunch with someone who had just seen Interpol the night before. She raved and raved about them, but I had no idea what she was talking about. Part of the reason we were having brunch together was that I thought we had similar musical sensibilities. But her ebullient summation of the Interpol show made me realize that we weren't on the same page: she was living in the present whereas I was stuck in the 90's. I went home that afternoon and bought 10 new CDs. I think that was the beginning of the re-immersion process. Interesting how someone who drifts into your life for only a fleeting moment can have such a dramatic effect on the course of your development.
We'll see how Coachella 2007 shakes out.
Sunday, January 14, 2007
To Sell But Not Sell Out
Given my sensibilities, commercials have always been a good source for introductions to new bands. I think Volkswagen started the trend of featuring stylish, obscure music in its commercials back in 1997 or so. What was that tag line? "On the road of life, there are passengers, and there are drivers. Drivers wanted." If I remember correctly, there was one commercial each for the Golf, Jetta, Passat and Cabrio. One of the commercials featured "Sweetness and Light" by Lush. Another (I'm pretty sure it was the Cabrio) featured a catchy tune sung by a woman with a breathy voice. (Yeah. That was the "ethereal female vocals" era of my musical enlightenment.) The song was so catchy that I just had to know who sang it. One day, I decided to call 1-800-DRIVE-VW to try to find out. I didn't really expect to get anywhere. But, lo and behold, VW anticipated getting calls from wackos like me! Their operator was fully prepared to give the name of the artist and title for each track featured in their commercials. Of course, she also wanted my address so that she could send me a VW brochure. But that wasn't a big deal. I was so tickled by that point that she could've sold me a Passat over the phone. Anyhow ... that was how I discovered Ivy.
On occasion nowadays, I actually find myself a bit ahead of the curve, no doubt due to my recent re-immersion in music. When I saw the Honda Civic "Freedom" commercial, I was very excited to hear The Go! Team's "Huddle Formation" in the background. I wasn't surprised to hear their music used in that context, given the peppiness of their songs. But the commercial itself isn't what prompted me to write this entry.
(That's Kevin Spacey doing the voiceover, by the way. More useless information for ya.)
I'd seen the Cadillac "Roll" commercial a few times, and each time I'd found the song in the background to be rather intriguing. Until a couple of days ago, I hadn't been intrigued enough to look up what it was. But I finally headed over to Adtunes to take a look. (Great site for figuring out the name of any song used in a commercial, TV show or movie.) Turns out the song is "Punkrocker" by Teddybears (featuring Iggy Pop). (So much for being ahead of the curve, huh?)
But let's get back to The Go! Team. Adtunes has a retrospective on its homepage called "Top Ad Music of 2006," and No. 4 on the list is an entry called "It Didn't Stop The Go! Team."
Here's the explanation.
Quite refreshing to see a band respond to the concerns of its fans. I feel for bands like The Go! Team. Their fans (myself included) often subscribe to an overly romanticized indie ethos that entails an irrational scorn for commercial success. Why should The Go! Team have to justify their licensing of "Huddle Formation" to Honda?
On occasion nowadays, I actually find myself a bit ahead of the curve, no doubt due to my recent re-immersion in music. When I saw the Honda Civic "Freedom" commercial, I was very excited to hear The Go! Team's "Huddle Formation" in the background. I wasn't surprised to hear their music used in that context, given the peppiness of their songs. But the commercial itself isn't what prompted me to write this entry.
(That's Kevin Spacey doing the voiceover, by the way. More useless information for ya.)
I'd seen the Cadillac "Roll" commercial a few times, and each time I'd found the song in the background to be rather intriguing. Until a couple of days ago, I hadn't been intrigued enough to look up what it was. But I finally headed over to Adtunes to take a look. (Great site for figuring out the name of any song used in a commercial, TV show or movie.) Turns out the song is "Punkrocker" by Teddybears (featuring Iggy Pop). (So much for being ahead of the curve, huh?)
But let's get back to The Go! Team. Adtunes has a retrospective on its homepage called "Top Ad Music of 2006," and No. 4 on the list is an entry called "It Didn't Stop The Go! Team."
The Go! Team band founder Ian Parton claims he doesn't like licensing music for ads. "I think music should be kept special, and I don't think selling it for a commercial is a good way to do that." So why is The Go! Team song "Huddle Formation" in a Honda Civic "Freedom" commercial as part of the Honda "Reverse your thinking" campaign? The band offers an explanation in their official forum.
Here's the explanation.
This is a fair comment and I knew people would be disappointed (including me)
certainly no change of heart - I hate bands who do adverts. I've turned down lots in the past - forgoing potentially lots of money. It got to the point where the people who publish go team songs were getting so fucked off that being dropped was looking very likely - they weren't making any money. theres a limit to how many times people will take a No.
I'm not worried about fucking people off but the trouble is that for the second album we need a publishing company to clear the samples (which is what a publishing company does) before it gets released to avoid the mistake of the first album. It would be a serious handicap to have an album full of uncleared samples.
basically this ad was a concession so that there would be someone to clear the samples. Hypocritical i know but its a tricky thing to navigate through when you make sample based music. it's a minefield.
Quite refreshing to see a band respond to the concerns of its fans. I feel for bands like The Go! Team. Their fans (myself included) often subscribe to an overly romanticized indie ethos that entails an irrational scorn for commercial success. Why should The Go! Team have to justify their licensing of "Huddle Formation" to Honda?
Wednesday, January 10, 2007
A Veritable Blizzard (Okay, Not Quite)
It finally snowed today! Sure, it only lasted for a minute. Maybe two. But when it came down, it came down hard. Okay. Perhaps it was just a light flurry. But it looked ominous. Or maybe my perspective was a bit skewed given the number of months I've gone without seeing the white stuff. I'm just glad I caught the fleeting scene. (Had I been at the office, I would've surely missed it. But I happened to be working from home this morning.)Sunday, January 7, 2007
It's Still Home
I've really gotta be more timely with the postings. You know how sometimes you get a message from someone with whom you're not close and you don't respond right away, but the thought of responding lingers at the back of your mind? As more time passes, the inertia that needs to be overcome to respond becomes greater and greater until it seems almost insurmountable. (At least that's what you convince yourself.) After a couple of weeks, you surmise that you can't respond with a short, "Hey, nice to hear from you." With the passage of that much time, you really should have an essay ready, no? (Either that or a handy bout of pneumonia so that you'd at least have a halfway decent excuse for the delay in responding.) And then the thought of writing that essay overwhelms you, and you let things drift into oblivion. Well, that's what almost happened to this entry ... sort of.
I meant to write quite a few entries while I was back in Texas over Christmas and New Year's. (I'm always meaning to write, among other things.) But I got distracted. (And I'm always so easily distracted.) It seems odd to write about New Year's a full week after the fact, but ... well, why should it?
For the first time in a long while, I had an extremely enjoyable time back home. No irrational flare-ups from any family members. No persistent obligations to shuttle from house to house to yet another house. No incessant screaming from the kids. (Well, there was that trip to Toys 'R Us, but I brought that on myself. I took my niece and nephews there and told them that they could have whatever they wanted. Poor kids were so overwhelmed that they couldn't figure out what to get. They left annoyed and empty-handed.) Even stayed up one night until 3:00 having a thoughtful conversation with my parents.
And I had the occasion to experience a couple of long-delayed firsts. My oldest sister invited me out for drinks. After I got through the initial paranoia of being mistaken for a couple (it's happened a few times), I had fun. On Christmas night, my cousin visiting from L.A. invited me and a buddy of mine out for drinks with him and his friends. I didn't get home until 5:00. (Those crazy kids. Put us fogies to shame. And who knew such diversion is available in Houston on Christmas night?) So, what are the firsts? I'd never gone out for drinks with any of my sisters or cousins. That kind of thing happens when you go through the first 24 years of your life without drinking.
When Thursday rolled around, I drove up to Dallas with a couple of friends. (But not before my mom not-so-subtlely pointed out that I'd be spending more days in Dallas than Houston. Sometimes, there's just no pleasing her, I tell ya.) Spent the first night at a dingy, yet character-endowed, bar where I couldn't help but feel self-conscious holding a Stella while most everyone else was holding a Bud. Oh well. Whattaya gonna do? (On the bright side, each Stella only set me back $4. That's Texas for ya.)
The next night, we stayed in at a friend's place and played a round of Pop Cranium. (Not as fun as the original Cranium, I must say.) Girls versus boys, and the boys won handily. (Of course!) The night after was spent at an outdoor terrace bar that presented a soothing view of the skyline. (Who knew such places exist in Dallas?) That was followed by a trip to a rather stylish gay bar. (Didn't know that such places exist in Texas, did you?) Quite amusing.
And then New Year's Eve rolled around. Probably the best I've had. But that's not saying much, since I almost never go out for NYE. Before this NYE, the most entertaining one I had was from the year before -- spent at a spacious loft in the Village with a peculiar mix of people that included several who were decked out in latex bodysuits. But that wasn't so much entertaining as it was a unique opportunity to see the ultra-weird side of NYC that you usually only glimpse on late-night cable TV.
NYE in Dallas was entertaining in a more basic way. Photos will do a more efficient job than words in describing the mood.
(Hmm ... I think I may have just violated the spirit of my self-imposed rule against identifying anyone by name in this forum. Oh well. It was a an arbitrary rule anyway. Besides, I still haven't identified anyone by name.)
Before the main event, we stopped by a get-together at the three-story condo of an Internet entrepreneur. (Yeah. It's as fancy as it sounds.) Right before the somewhat large group dispersed, the host made everyone give a toast to what he or she was thankful for from the year that was coming to an end. At first, I thought it was a rather hokey exercise. But it turned out to be quite amusing and sincere. I was thankful for good friends who showed me how fun Dallas can be.
So that was the holidays in Texas.
Oh ... I almost forgot about the food, which is perhaps one of the most important aspects of any trip I take. Had the requisite Christmas Eve feast of turkey, stuffing, sushi and japchae. (We're Asian, after all.) And there were heaping helpings of mom-made beef noodles (her signature dish), dumplings, fried rice and fried chicken. Authentic Tex-Mex. Two visits to Taco Cabana. (Sure, it's fast food, but it's yummy! Usually.) Barbecue. And a big ol' blob of chicken fried steak. My arteries begged for mercy, but I had none to give.
I meant to write quite a few entries while I was back in Texas over Christmas and New Year's. (I'm always meaning to write, among other things.) But I got distracted. (And I'm always so easily distracted.) It seems odd to write about New Year's a full week after the fact, but ... well, why should it?
For the first time in a long while, I had an extremely enjoyable time back home. No irrational flare-ups from any family members. No persistent obligations to shuttle from house to house to yet another house. No incessant screaming from the kids. (Well, there was that trip to Toys 'R Us, but I brought that on myself. I took my niece and nephews there and told them that they could have whatever they wanted. Poor kids were so overwhelmed that they couldn't figure out what to get. They left annoyed and empty-handed.) Even stayed up one night until 3:00 having a thoughtful conversation with my parents.
And I had the occasion to experience a couple of long-delayed firsts. My oldest sister invited me out for drinks. After I got through the initial paranoia of being mistaken for a couple (it's happened a few times), I had fun. On Christmas night, my cousin visiting from L.A. invited me and a buddy of mine out for drinks with him and his friends. I didn't get home until 5:00. (Those crazy kids. Put us fogies to shame. And who knew such diversion is available in Houston on Christmas night?) So, what are the firsts? I'd never gone out for drinks with any of my sisters or cousins. That kind of thing happens when you go through the first 24 years of your life without drinking.
When Thursday rolled around, I drove up to Dallas with a couple of friends. (But not before my mom not-so-subtlely pointed out that I'd be spending more days in Dallas than Houston. Sometimes, there's just no pleasing her, I tell ya.) Spent the first night at a dingy, yet character-endowed, bar where I couldn't help but feel self-conscious holding a Stella while most everyone else was holding a Bud. Oh well. Whattaya gonna do? (On the bright side, each Stella only set me back $4. That's Texas for ya.)
The next night, we stayed in at a friend's place and played a round of Pop Cranium. (Not as fun as the original Cranium, I must say.) Girls versus boys, and the boys won handily. (Of course!) The night after was spent at an outdoor terrace bar that presented a soothing view of the skyline. (Who knew such places exist in Dallas?) That was followed by a trip to a rather stylish gay bar. (Didn't know that such places exist in Texas, did you?) Quite amusing.
And then New Year's Eve rolled around. Probably the best I've had. But that's not saying much, since I almost never go out for NYE. Before this NYE, the most entertaining one I had was from the year before -- spent at a spacious loft in the Village with a peculiar mix of people that included several who were decked out in latex bodysuits. But that wasn't so much entertaining as it was a unique opportunity to see the ultra-weird side of NYC that you usually only glimpse on late-night cable TV.
NYE in Dallas was entertaining in a more basic way. Photos will do a more efficient job than words in describing the mood.
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| From New Year's Eve Weekend in Dallas |
(Hmm ... I think I may have just violated the spirit of my self-imposed rule against identifying anyone by name in this forum. Oh well. It was a an arbitrary rule anyway. Besides, I still haven't identified anyone by name.)
Before the main event, we stopped by a get-together at the three-story condo of an Internet entrepreneur. (Yeah. It's as fancy as it sounds.) Right before the somewhat large group dispersed, the host made everyone give a toast to what he or she was thankful for from the year that was coming to an end. At first, I thought it was a rather hokey exercise. But it turned out to be quite amusing and sincere. I was thankful for good friends who showed me how fun Dallas can be.
So that was the holidays in Texas.
Oh ... I almost forgot about the food, which is perhaps one of the most important aspects of any trip I take. Had the requisite Christmas Eve feast of turkey, stuffing, sushi and japchae. (We're Asian, after all.) And there were heaping helpings of mom-made beef noodles (her signature dish), dumplings, fried rice and fried chicken. Authentic Tex-Mex. Two visits to Taco Cabana. (Sure, it's fast food, but it's yummy! Usually.) Barbecue. And a big ol' blob of chicken fried steak. My arteries begged for mercy, but I had none to give.
The Climate God Must Be Drunk
What a strangely glorious day. 70+ degrees in January. I like incongruity.After lunch, I looked out the window and realized that a bike ride was in order. Never thought that I'd be out for a ride in January. Plenty of others had the same idea. The promenade was more clogged today than many days during the summer.
Fun as it was, I still rather miss snow.
Monday, December 18, 2006
Are you new here?
Some recent finds that have put me in a good mood.
This is "All Over This Town" by The Upper Room. They're a bit of a throwback to the days of jangly guitars, sway-inducing bass lines and asexual lead singers. Yeah -- they conjure up memories of The Smiths and Morrissey. If you happen to remember The Railway Children, then you can use them as a referent as well. I'm getting all nostalgic now. So nostalgic that I'm listening to The Sundays. And I'm swaying. With a smile.
This is "Back to the 101" by Albert Hammond, Jr. He's one of the guitarists for The Strokes. A while back, I read an article in New York that described him as not knowing where he fit in with the band. At the time, I assumed that the writer was commenting on Albert's insecurity with respect to his musical talents. But that can't be right, because he sings and plays quite well. His album won't be released stateside until March.
This is "Burning Benches" by Morning Runner. I discovered them on London Live, which is a wonderful live music show from the U.K. that's broadcast on INHD. It showcases some big-name acts ("big-name" in a European sense). More interestingly, it also features many up-and-coming acts (also in a European sense, which means acts that are several months removed from U.S. shores). I don't think that Morning Runner's album has been released stateside yet. Quite a shame, because it's very good. They sound a bit like Coldplay, but often louder and angrier. (Coldplay gets loud every now and then, but they never get angry. Forlorn maybe, but never angry. Gwyneth must have quite the effect on Chris.)
This is "Out of the Question" by Mumm-Ra. I also discovered them on London Live. They look to be barely out of high school, but they sound plenty mature. At times, their songs get to be a bit spastic, perhaps because their lead singer is a bit spastic. But "Out of the Question" is damn catchy.
This is "All Over This Town" by The Upper Room. They're a bit of a throwback to the days of jangly guitars, sway-inducing bass lines and asexual lead singers. Yeah -- they conjure up memories of The Smiths and Morrissey. If you happen to remember The Railway Children, then you can use them as a referent as well. I'm getting all nostalgic now. So nostalgic that I'm listening to The Sundays. And I'm swaying. With a smile.
This is "Back to the 101" by Albert Hammond, Jr. He's one of the guitarists for The Strokes. A while back, I read an article in New York that described him as not knowing where he fit in with the band. At the time, I assumed that the writer was commenting on Albert's insecurity with respect to his musical talents. But that can't be right, because he sings and plays quite well. His album won't be released stateside until March.
This is "Burning Benches" by Morning Runner. I discovered them on London Live, which is a wonderful live music show from the U.K. that's broadcast on INHD. It showcases some big-name acts ("big-name" in a European sense). More interestingly, it also features many up-and-coming acts (also in a European sense, which means acts that are several months removed from U.S. shores). I don't think that Morning Runner's album has been released stateside yet. Quite a shame, because it's very good. They sound a bit like Coldplay, but often louder and angrier. (Coldplay gets loud every now and then, but they never get angry. Forlorn maybe, but never angry. Gwyneth must have quite the effect on Chris.)
This is "Out of the Question" by Mumm-Ra. I also discovered them on London Live. They look to be barely out of high school, but they sound plenty mature. At times, their songs get to be a bit spastic, perhaps because their lead singer is a bit spastic. But "Out of the Question" is damn catchy.
Of Sand and Snow
I was reminded in a conversation yesterday about an unusual sight that I'm still very anxious to see: snow on the beach.There's something strangely appealing about such an incongruous mix of particles. I've mentioned this to a few people, and some of them have insisted that it doesn't snow on the beach. Sure, I've never seen it happen, but I'm pretty sure that they're wrong. What's so magical about the air above a beach that would prevent snow from falling? (I may be an atypical Asian in that my science skills are virtually nonexistent, but I did pay some attention during earth science class.) Besides, haven't you seen Eternal Sunshine of the Spotless Mind? (One of my favorite movies, by the way. Meshes well with my notion that every experience is a good experience simply by virtue of being an experience.)
Yet another reason to prefer East Coast beaches over those on the other coast.
Thursday, December 14, 2006
Tears on Bleecker
A few years ago, while a couple of friends and I were driving along Bleecker to go to Magnolia, we saw a rather overgrown kid crying as he held on to a topping-less pizza. We're not talking "weh-weh, I'm hungry" crying. We're talking "firetrucks screaming to a five-alarm fire" crying. I mean, he was crying so hard that he looked to be in physical pain.
My friends laughed, and then I laughed along. (It sounds mean, I know. But it was much more good-natured than it seems. Really!) And we just kept laughing -- to the point where we were in physical pain.
We picked up our cupcakes and headed across the street to eat in the park. As we ate, we mused about the reasons behind the crying. It was like being asked to come up with a caption for a bizarre still frame from a movie that we couldn't see. Did he get separated from his mom? Was he upset that the toppings had fallen off his pizza?
So that's the set up for this bit. A few days ago, I sent this link to one of those friends because I knew he'd appreciate the humor. (It's an article titled "So This Manatee Walks Into the Internet," and it's about the Horny Manatee sketch on Conan.) The following is the e-mail thread that ensued.
It's amazing how creative you become when you're exhausted and annoyed about being at the office.
My friends laughed, and then I laughed along. (It sounds mean, I know. But it was much more good-natured than it seems. Really!) And we just kept laughing -- to the point where we were in physical pain.
We picked up our cupcakes and headed across the street to eat in the park. As we ate, we mused about the reasons behind the crying. It was like being asked to come up with a caption for a bizarre still frame from a movie that we couldn't see. Did he get separated from his mom? Was he upset that the toppings had fallen off his pizza?
So that's the set up for this bit. A few days ago, I sent this link to one of those friends because I knew he'd appreciate the humor. (It's an article titled "So This Manatee Walks Into the Internet," and it's about the Horny Manatee sketch on Conan.) The following is the e-mail thread that ensued.
Friend: I finally read this (late night procrastination). It's freaking hilarious. I immediately did a check on www.cryingmanchild.com and it appears to be available. Opportunity?
Me: Let's get it and encourage people to send in their sightings! Maybe then we can finally track down crying man child and ask him whether it was because his toppings fell off.
Friend: Dude. We should so buy that domain name. [Other friend] can set up a site on his server. I think that we can get [him] to draw a caricature of a crying manchild with some messed up pizza and have that as a placeholder until we figure out something better. I'm in love with this idea.
Me: Man, that must be some hard plowing you're up against at the (home) office. But hey ... I like whimsy! I'll get cracking on a poem.
Friend: It just doesn't get any better than this.
Me: Oh, man child, why do you cry? / Is it mommy, or is it your pizza pie?
Friend: oh my. I'm speechless.
It's amazing how creative you become when you're exhausted and annoyed about being at the office.
Where have you been all my life, Jantzen?
While in Hong Kong, I was finally initiated into the world of custom-made clothing -- and there's no going back. My friend took me to a place called Jantzen Tailor, and I was like a kid at the Pokemon store. There were swatches everywhere, and I couldn't decide what to get. It took me so long to choose that one of the owners of the place began to tease me. (He also teased me about my nationality. When he asked me about it, I told him that I'm Taiwanese. He looked at me befuddled and said, "Are you sure?" Yet another person who thought I was Korean. Eventually, he started calling me "Taiwan-tzi." Funny guy.)
When it was all said and done, I ended up with two suits and seven shirts. I went in there only thinking about getting a couple of shirts. I had absolutely no intention of buying a suit, particularly because I rarely have to wear one these days. But, again -- I was like a kid at the Pokemon store, and I just couldn't control myself. (Pathetic, I know. Maybe this isn't the best time to mention that, after the flight back from Seoul, I've now seen The Devil Wears Prada three times.)
It's amazing how much better clothes look when they fit perfectly. If you're ever in Hong Kong, you definitely shouldn't leave without getting at least one shirt made. It only costs US$40! And you can flip through swatches online to order more when you get home because they keep your measurements on file! It'll be a challenge not to go overboard.
When it was all said and done, I ended up with two suits and seven shirts. I went in there only thinking about getting a couple of shirts. I had absolutely no intention of buying a suit, particularly because I rarely have to wear one these days. But, again -- I was like a kid at the Pokemon store, and I just couldn't control myself. (Pathetic, I know. Maybe this isn't the best time to mention that, after the flight back from Seoul, I've now seen The Devil Wears Prada three times.)
It's amazing how much better clothes look when they fit perfectly. If you're ever in Hong Kong, you definitely shouldn't leave without getting at least one shirt made. It only costs US$40! And you can flip through swatches online to order more when you get home because they keep your measurements on file! It'll be a challenge not to go overboard.
Tuesday, December 12, 2006
Duck, Duck ... Turkey?
I got to Hong Kong, and the scenery changed dramatically. Going to Hong Kong from Seoul is like having your subscription to Vogue revoked and replaced with Seventeen. The sight of my 40-year-old cabbie with purple hair reinforced that notion (as did the sight of knee-high boots with tights and shorts, which no longer looked so strangely interesting).
The ride from the airport to the hotel was a real pain in the ass. After we passed through the last toll plaza to get onto Hong Kong Island, my cabbie started pressing the "extras" button on the meter and didn't stop until it hit HK$140. I'm not sure what about me gave him the impression that I was a bumpkin. (Maybe he heard that I went looking to buy food before going to the airport lounge.) But I wasn't paying HK$140 in tolls when a sign in the cab clearly stated in English that I was required to pay much less. So I called him out on it, and he pretended that he couldn't understand me. Eventually, he realized that I was reading the rate chart. Right around then, he pulled over to the curb at some random spot in the city. He got out, unloaded my luggage onto the sidewalk and pointed at a nondescript building across the street to suggest that we'd reached my hotel. Again, I'm not sure what about me gave him the impression that I was a bumpkin. I sat in the cab and told him that I wasn't getting out until we were at the entryway of my hotel. After getting honked at relentlessly by the other cars he was blocking on the road, purple-haired cabbie relented and took me to the proper destination. And he also knocked HK$100 off the fare. I had a feeling that I probably wouldn't be as enamored with Hong Kong as I was with Seoul. (BTW -- As I later learned, it's not a very good idea to cab it into the city. Take the Airport Express instead and cab it to your final destination from the train station.)
Fortunately, salvation awaited me at my hotel -- the Landmark Mandarin Oriental. Aesthetically pleasing in every way.
See what I mean? That's a pretty good approximation of what I'd like my apartment to look like.
I settled in and then met up with friends for dinner at a sushi place. Yeah, my first meal in Hong Kong was at a sushi place. But that's not such a crazy thing. One of those friends is now an associate at my firm's Hong Kong office, but we started in New York together as summer associates. Back when we were first years, he asked me one day if I wanted to join him for a sushi lunch. Two and a half hours and $85 a person later, I wondered what the hell happened.
The meal was great, and the restaurant provided an appropriate setting for me to present my friends with a nifty gift -- chocolate sushi. Yup. Chocolate. Go here if you want to get some for yourself or your sushi-obsessed friends.
I spent the next couple of days at the office working and getting to know my Hong Kong colleagues. Quite the nice bunch. Thanksgiving was spent at the American Club. Felt strange eating turkey in the land of roast duck.
Wrapped up the trip by going over to my friends' fancy apartment for a barbecue. (Yeah, it was a very hazy day, especially way up on the 67th floor.)
I don't think Hong Kong is my kind of town. It's a lot like New York, but very different in distinct ways. More crowded, less diverse and even more obsessed with the attainment of wealth. But I'd go back, if for no other reason but the next entry.
The ride from the airport to the hotel was a real pain in the ass. After we passed through the last toll plaza to get onto Hong Kong Island, my cabbie started pressing the "extras" button on the meter and didn't stop until it hit HK$140. I'm not sure what about me gave him the impression that I was a bumpkin. (Maybe he heard that I went looking to buy food before going to the airport lounge.) But I wasn't paying HK$140 in tolls when a sign in the cab clearly stated in English that I was required to pay much less. So I called him out on it, and he pretended that he couldn't understand me. Eventually, he realized that I was reading the rate chart. Right around then, he pulled over to the curb at some random spot in the city. He got out, unloaded my luggage onto the sidewalk and pointed at a nondescript building across the street to suggest that we'd reached my hotel. Again, I'm not sure what about me gave him the impression that I was a bumpkin. I sat in the cab and told him that I wasn't getting out until we were at the entryway of my hotel. After getting honked at relentlessly by the other cars he was blocking on the road, purple-haired cabbie relented and took me to the proper destination. And he also knocked HK$100 off the fare. I had a feeling that I probably wouldn't be as enamored with Hong Kong as I was with Seoul. (BTW -- As I later learned, it's not a very good idea to cab it into the city. Take the Airport Express instead and cab it to your final destination from the train station.)
Fortunately, salvation awaited me at my hotel -- the Landmark Mandarin Oriental. Aesthetically pleasing in every way.
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See what I mean? That's a pretty good approximation of what I'd like my apartment to look like.
I settled in and then met up with friends for dinner at a sushi place. Yeah, my first meal in Hong Kong was at a sushi place. But that's not such a crazy thing. One of those friends is now an associate at my firm's Hong Kong office, but we started in New York together as summer associates. Back when we were first years, he asked me one day if I wanted to join him for a sushi lunch. Two and a half hours and $85 a person later, I wondered what the hell happened.
The meal was great, and the restaurant provided an appropriate setting for me to present my friends with a nifty gift -- chocolate sushi. Yup. Chocolate. Go here if you want to get some for yourself or your sushi-obsessed friends.I spent the next couple of days at the office working and getting to know my Hong Kong colleagues. Quite the nice bunch. Thanksgiving was spent at the American Club. Felt strange eating turkey in the land of roast duck.
Wrapped up the trip by going over to my friends' fancy apartment for a barbecue. (Yeah, it was a very hazy day, especially way up on the 67th floor.)I don't think Hong Kong is my kind of town. It's a lot like New York, but very different in distinct ways. More crowded, less diverse and even more obsessed with the attainment of wealth. But I'd go back, if for no other reason but the next entry.
Saturday, December 2, 2006
Cultural Learnings of Korea for Make Benefit Glorious Nation of America
I headed out to Seoul on Friday, November 17. As usual, I had to scramble to get to the airport. Work never cooperates when I'm trying to get out of town. I got home from the office late the night before, and I woke up around 4:00 to wrap up an agreement before packing and making a mad dash for JFK. Turned out that my flight was delayed, so there wasn't any need to rush.
I was flying business class, so I had access to the Korean Air Lounge. Before heading to the lounge, I toured the food court trying to find something good to eat. Fortunately, I didn't see anything appealing. Being the bumpkin that I am -- I'd never flown business class nor accessed an airline lounge -- I didn't know that there was free food in the lounge. Silly me.
I got into Incheon International Airport around 7:00 on Saturday night and took the KAL bus to the Grant Hyatt. (Only US$13. Quite efficient.) My initial plan was to stay at the minimalist Park Hyatt (definitely more my style), but, as a Korean colleague put it: "That Saturday night is precious." He was referring to the fact that the fabled J.J. Mahoney's is situated downstairs at the Grand Hyatt. And, you know, he knew what he was talking about. Saturday night was an entertaining introduction to the aesthetics of Seoul.
The next day, I headed over to Insadong to have lunch at Dolkemaeul Tofu House -- a jigae place recommended by my Lonely Planet travel book. Dee-licious. Then I ventured to the area around Hongik University, which was my favorite spot during the visit. The neighborhood has a distinct Village feel about it.
For dinner, I met up with a junior high acquaintance. He took me to a barbecue place in Apujeong, where I stuffed myself silly with kalbi. Unlike kalbi that I've had elsewhere, which typically comes on the bone or in chunky cubes, the kalbi here was sliced thin as bulgoki. Again, dee-licious. We hit a bar/cafe next, where I was introduced to bek seju. My friend described it as soju, but sweeter and without the aftertaste, which is about right. I'll definitely lobby for bek seju in place of soju the next early morning I find myself in Koreatown.
We had an interesting conversation at dinner. I told him that it felt good to be surrounded by yellow people, and he asked me why. I responded that it gets to be a bit tiring sometimes being Asian in the U.S., and, without hesitation, he said that he knew exactly what I was talking about. As he put it: "Here, if someone doesn't like me, I know that he just doesn't like me."
Monday was rather uneventful. I wandered about the city before heading back to the hotel around 6:30 for a pre-dinner break. But jet lag got the best of me, and I fell asleep involuntarily for a good six hours. I was starving when I awoke, and I remembered a few friends telling me about a couple of markets with food courts that are open all night. So I ventured to one of them -- Doota -- but the food court was closed. I figured that I may as well do some shopping and just wait to eat the next day. The food court was on the 9th floor, and I paced downwards floor by floor until I got to the basement at around 3:00. Lo and behold, there was a KFC there! Fried chicken never tasted so good. (But the guy gave me all white meat. Must've mistaken my command of English for my being essentially white. What true Asian prefers white meat over dark? I sure hope someone's already working on a genetically-engineered chicken that only has thighs and legs. And speaking of the ying and yang of chicken parts ... it was a very sad day for me when McDonald's jubilantly announced that McNuggets would consist only of white meat. As if that were actually something to celebrate. At least they still mold some of the white meat into dark-meat-like blobs. You know what I'm talking about, don't you? There are the round, breast-like blobs; and then there are the squiggly, leg-like blobs. I always savor the squigqly blobs more, as if white meat molded into the semi-likeness of dark meat acquires the taste of dark meat. Wow ... quite the digression here. This is what happens when you edit at 1:27 in the morning while your mind is fighting hard not to drift into oblivion at the office.)
Tuesday rolled around, and it was time to leave for Hong Kong. I'll definitely be back in Seoul soon.
Some random observations:
• Most every guy has long hair; I felt a bit out of place
• Knee-high boots with tights and shorts is a strangely interesting look
• Elderly women can and likely will cut in front of you
• Drive on the right but walk on the left
I was flying business class, so I had access to the Korean Air Lounge. Before heading to the lounge, I toured the food court trying to find something good to eat. Fortunately, I didn't see anything appealing. Being the bumpkin that I am -- I'd never flown business class nor accessed an airline lounge -- I didn't know that there was free food in the lounge. Silly me.
I got into Incheon International Airport around 7:00 on Saturday night and took the KAL bus to the Grant Hyatt. (Only US$13. Quite efficient.) My initial plan was to stay at the minimalist Park Hyatt (definitely more my style), but, as a Korean colleague put it: "That Saturday night is precious." He was referring to the fact that the fabled J.J. Mahoney's is situated downstairs at the Grand Hyatt. And, you know, he knew what he was talking about. Saturday night was an entertaining introduction to the aesthetics of Seoul.
The next day, I headed over to Insadong to have lunch at Dolkemaeul Tofu House -- a jigae place recommended by my Lonely Planet travel book. Dee-licious. Then I ventured to the area around Hongik University, which was my favorite spot during the visit. The neighborhood has a distinct Village feel about it.For dinner, I met up with a junior high acquaintance. He took me to a barbecue place in Apujeong, where I stuffed myself silly with kalbi. Unlike kalbi that I've had elsewhere, which typically comes on the bone or in chunky cubes, the kalbi here was sliced thin as bulgoki. Again, dee-licious. We hit a bar/cafe next, where I was introduced to bek seju. My friend described it as soju, but sweeter and without the aftertaste, which is about right. I'll definitely lobby for bek seju in place of soju the next early morning I find myself in Koreatown.
We had an interesting conversation at dinner. I told him that it felt good to be surrounded by yellow people, and he asked me why. I responded that it gets to be a bit tiring sometimes being Asian in the U.S., and, without hesitation, he said that he knew exactly what I was talking about. As he put it: "Here, if someone doesn't like me, I know that he just doesn't like me."
Monday was rather uneventful. I wandered about the city before heading back to the hotel around 6:30 for a pre-dinner break. But jet lag got the best of me, and I fell asleep involuntarily for a good six hours. I was starving when I awoke, and I remembered a few friends telling me about a couple of markets with food courts that are open all night. So I ventured to one of them -- Doota -- but the food court was closed. I figured that I may as well do some shopping and just wait to eat the next day. The food court was on the 9th floor, and I paced downwards floor by floor until I got to the basement at around 3:00. Lo and behold, there was a KFC there! Fried chicken never tasted so good. (But the guy gave me all white meat. Must've mistaken my command of English for my being essentially white. What true Asian prefers white meat over dark? I sure hope someone's already working on a genetically-engineered chicken that only has thighs and legs. And speaking of the ying and yang of chicken parts ... it was a very sad day for me when McDonald's jubilantly announced that McNuggets would consist only of white meat. As if that were actually something to celebrate. At least they still mold some of the white meat into dark-meat-like blobs. You know what I'm talking about, don't you? There are the round, breast-like blobs; and then there are the squiggly, leg-like blobs. I always savor the squigqly blobs more, as if white meat molded into the semi-likeness of dark meat acquires the taste of dark meat. Wow ... quite the digression here. This is what happens when you edit at 1:27 in the morning while your mind is fighting hard not to drift into oblivion at the office.)
Tuesday rolled around, and it was time to leave for Hong Kong. I'll definitely be back in Seoul soon.
Some random observations:
• Most every guy has long hair; I felt a bit out of place
• Knee-high boots with tights and shorts is a strangely interesting look
• Elderly women can and likely will cut in front of you
• Drive on the right but walk on the left
Friday, December 1, 2006
I've Missed You
Feels good to write again. I've been out of commission for a while because of that annoying thing called work. Actually, work was only part of the problem. I visited my firm's Hong Kong office last week and stopped in Seoul along the way. Tiring, but enjoyable.
It feels great to be anxious to write. I've been looking forward to this since my plane ride out to Seoul. And I would've written a few entries on the plane had the in-flight wireless Internet service been functional. Yup -- Korean Air actually provides in-flight wireless Internet service, but there was a glitch with the system on my outbound flight. (Great airline, by the way. Extremely courteous and responsive flight attendants.)
I spent the whole time in Asia thinking about writing, but I was either too jet lagged or preoccupied with work to be in proper writing mode. Anyhow, it's good to get the fingers clickin' on the keyboard because I want to and not because I have to.
It feels great to be anxious to write. I've been looking forward to this since my plane ride out to Seoul. And I would've written a few entries on the plane had the in-flight wireless Internet service been functional. Yup -- Korean Air actually provides in-flight wireless Internet service, but there was a glitch with the system on my outbound flight. (Great airline, by the way. Extremely courteous and responsive flight attendants.)
I spent the whole time in Asia thinking about writing, but I was either too jet lagged or preoccupied with work to be in proper writing mode. Anyhow, it's good to get the fingers clickin' on the keyboard because I want to and not because I have to.
Tuesday, November 14, 2006
In the Presence of Humble Rodent
Saw Modest Mouse last night at the Nokia Theatre. Very nice venue, albeit a bit on the big side. Wide concourses, clean restrooms, multiple bars that remind you of the Heineken Experience. All that, of course, means that I'm not likely to go back. What self-respecting indie rock fan could put up with such conditions?
Seriously, though ... a place like that attracts a certain kind of band and a certain kind of crowd. Given its size, only bands that have attained at least a modest level of commercial success (e.g., Modest Mouse) will be booked there. And what sort of crowd does commercial success generally entail?
Kiddies, kiddies as far as the eyes can see-ies, I tell you! (This tends to happen when your music gets featured on The O.C.)
Quite annoying. I didn't much like being around 16-year-olds when I was 16, and I like it even less now. They smoked. They drank. They got all giddy at each utterance of "fuck," "bullshit," "asshole" and the like but bored with each stretch of contemplative melody. Pogo bouncing, yes; gentle swaying, no. Subtlety never escapes them.
Funny how my level of annoyance varied in inverse proportion to their level of enjoyment. Makes me wonder what common thread, if any, ties our interest in Modest Mouse. But enough about the kiddies. Let's talk about the music.
An underwhelming show, really. Isaac and the boys seemed rather uninspired, and that was evident from the opening track -- "Ocean Breathes Salty." If I had a playlist called "I Hate the World," that song would be on it. But the rendition of the song last night would've fit more comfortably on the "Let's All Get Along" playlist. That set the mood for the rest of the show.
I wonder if the composition of the audience and the expanse of the space had anything to do with the band's apparent lack of zeal? My guess is yes. I'm sure the shows will be far more stimulating in the intimate environs of Bowery Ballroom on Friday and Saturday. Perhaps I would've enjoyed things better had they played "Gravity Rides Everything" and "Blame It on the Tetons."
Seriously, though ... a place like that attracts a certain kind of band and a certain kind of crowd. Given its size, only bands that have attained at least a modest level of commercial success (e.g., Modest Mouse) will be booked there. And what sort of crowd does commercial success generally entail?
Kiddies, kiddies as far as the eyes can see-ies, I tell you! (This tends to happen when your music gets featured on The O.C.)
Quite annoying. I didn't much like being around 16-year-olds when I was 16, and I like it even less now. They smoked. They drank. They got all giddy at each utterance of "fuck," "bullshit," "asshole" and the like but bored with each stretch of contemplative melody. Pogo bouncing, yes; gentle swaying, no. Subtlety never escapes them.
Funny how my level of annoyance varied in inverse proportion to their level of enjoyment. Makes me wonder what common thread, if any, ties our interest in Modest Mouse. But enough about the kiddies. Let's talk about the music.
An underwhelming show, really. Isaac and the boys seemed rather uninspired, and that was evident from the opening track -- "Ocean Breathes Salty." If I had a playlist called "I Hate the World," that song would be on it. But the rendition of the song last night would've fit more comfortably on the "Let's All Get Along" playlist. That set the mood for the rest of the show.
I wonder if the composition of the audience and the expanse of the space had anything to do with the band's apparent lack of zeal? My guess is yes. I'm sure the shows will be far more stimulating in the intimate environs of Bowery Ballroom on Friday and Saturday. Perhaps I would've enjoyed things better had they played "Gravity Rides Everything" and "Blame It on the Tetons."
Sunday, November 12, 2006
Don't Hate Me Because My Voice Is Beautiful
Yay! Leona Naess is releasing another album soon! Can't wait. She has definitely mellowed quite a bit since Comatised, but I still like her lots.
She keeps a blog, where she opens up as much as she does in her songs.
She keeps a blog, where she opens up as much as she does in her songs.
my last post may have made you think that i was being screwed around by some label, thus the long delays. this is not the case. the truth is, i got dropped a long time ago by my label (a month or so after my dad died to be exact) which could have been taken badly on my side but was fairly meaningless in the large scheme of things. nothing like losing someone to put things into perspective. the delay is, that now with this record done, i want to make sure that it is in the right hands and not somewhere where after failing to get a song on the radio, the label will stop taking my phone calls. it happens all the time. there are many options out there now and i have to make sure its the right one.
its actually very liberating. now that i understand how things work, its not scary, just very important.
Saturday, November 11, 2006
I Take Money from The Man, and There Ain't Nothin' Wrong with That
I rolled out of bed today and saw this photo of Figurines on The New York Times home page. The caption for the photo read: "The Figurines, in New York as part of a tour partly financed by the Danish government, in front of the United Nations last week." And the story blurb read: "Countries from Sweden to Australia are turning to an unlikely diplomatic tool: scruffy indie rockers."The article discusses subsidies that various governments give to bands in the hopes that the success of the bands will boost the international profiles of their countries. One of those countries is Canada. I'd read before that bands like Broken Social Scene and Stars take advantage of grants from the Canadian government. I'd just assumed that the Canadian government was supporting art for art's sake. Silly me.
Heather Ostertag, chief executive of Factor, the public-private Canadian agency that oversees music funds, said it controls a budget of roughly $12.4 million and handed out awards to one-third or more of the 3,800 applicants who sought support last year. Broken Social Scene and its label, for example, have been offered more than $140,000, she said. The Arcade Fire and Stars were also beneficiaries.
Why does the government of the world’s second biggest land mass bother? “The government recognizes the importance of a cultural spend for a cultural identity,” Ms. Ostertag said. “I think that we struggle as Canadians for our own Canadian identity. American dominance is so prevalent wherever you go.” Part of maintaining the nation’s place on the cultural map, she added, “is happening through identifying ourselves through the success of other Canadians.”
Hey, if I'm a tool of the Canadian government, they can use me at will, because BSS, Stars and Arcade Fire are damn good. (I should extend a thank you to my Canadian co-worker for randomly lending me her copy of Stars' Set Yourself on Fire a couple of years back. I wonder if she receives grants from the Canadian government, too?)
Anyhow, I say it's money well-spent by those progressive governments. I'm headed to Sweden next year, in part because a good number of my favorite bands are Swedish. (Go here and go wild.) Now that I'm cognizant of the fact that Figurines and Mew are Danish, I'll be sure to swing by Denmark as well. (And maybe visit LEGOLAND.)
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