Shouting Out Loud at the Bowery

Are my priorities out of whack if I'm more concerned about hearing loss than high cholesterol?

Just got in from seeing Shout Out Louds at Bowery Ballroom. Another wonderful show. I saw them a couple of months ago at Luna Lounge in Williamsburg. It pangs me to say this, but after seeing the same band at both venues during the same tour, I may have to concede that Luna Lounge is a slightly better venue. (But that's only if you assess things in a vacuum, which is a rather pointless exercise. Bowery and its sentimentalities are inseparable.)

I somehow managed to drift, drift and drift some more until I ended up at the very front. So far in front that I conveniently set my jacket on the stage. But, alas, that's not such a great place to be because it's a bit of a sonic dead spot. I'm pretty sure the sound would've been better a few feet back.

I've read several comparisons of Shout Out Louds to The Cure, but that never made any sense to me because the Shouts are much too peppy. But tonight, as they played "Shut Your Eyes," I started to hear "In Between Days." And then it started to feel as if they could launch into "In Between Days" in the middle of any song. So, okay. I understand The Cure references now. But only if we're talking The Cure on Prozac, like on "In Between Days" and "Friday I'm in Love." (The Shouts apparently aren't fond of the comparison, which is understandable. Who wants to be compared to anybody when the aim is to be original? I think they're plenty original. It just so happens that a few of their chords and Adam's achy voice now sometimes make me reminisce about The Cure, which is good thing, really.)


Here's a pretty amusing write-up on the matter from Oh My Rockness:

Shout Out Louds are four lads and one lady that have a similar sound to The Cure, although Shout Out Louds come armed with a brighter perspective on life. Singer Adam Olenius does a spot-on impersonation of Robert Smith at his most happy. And that's really the biggest difference between the two groups (besides, you know, millions and millions of album sales). Shout Out Louds don't reach for that anguished diary drama like The Cure often did.

Instead, this band opts for those fun, catchy cowbells and hyper-melodic choruses (more like "Friday, I'm in Love" maybe). Yee haw! And it's a good thing Olenius doesn't incessantly sing about heartbreak, because Shout Out Louds don't have a whole lot to be sad about these days. I mean, they're on Merge Records after all, and are winning tons of fans left and right as they consistently tour the world. I wouldn't be sad either.

People also like to compare Shout Out Louds to their compatriots, Peter Bjorn and John. But whatever, these guys are The Cure.

Anyhow ... all was great until a severely rhythmless and toneless girl somehow ducked in front of me. Fortunately, she and her slightly less rhythmless and toneless friend left before the encore. And the first song the Shouts played during the encore was the one song I was most looking forward to hearing live: "Hard Rain." (That was the only letdown at the Luna Lounge performance: they didn't play "Hard Rain.")

The set ended with a rambunctious performance of "Very Loud," which was (naturally) very loud. A few of their friends from home came on stage to help make things noisier. One of them wore a nifty t-shirt that had an artsy rendition of the Swedish flag emblazoned across the front. I saw that and got all nostalgic. Wish I could've seen them live in Stockholm.

Oh well. For now, seeing them again next Saturday in Dallas will have to do. Can't wait, especially since my Stockholm cohorts will be with me.

You're no Friendster of mine.

Someone forwarded an article to me from the NYT. I couldn't tell who it was because I didn't recognize the nondescript e-mail address of the sender. But I did remember that this person had also forwarded an article to me about a month ago. I had started to write a very generic response to the first message ("Thanks. I saw this as well. Not sure which side I agree with. But it's definitely interesting."), but I never sent it because ... well, bad things can happen when you respond blindly. This time, I figured I should try to decipher the identity of this mysterious figure. So I ran a search of the e-mail address on Friendtser. (That's what the kids do these days, no? Oh wait ... I think they're on to Facebook now. I'm such a fogy.) Turns out that this wasn't a mysterious figure at all but a good buddy using a shadowy, unrecognizable e-mail address. (I wonder why he needs one? Freak.)

What's more interesting about this tale of awkward Internet interactions is that, while on Friendster, I noticed that my last serious girlfriend is still listed as a friend of my buddy. This wouldn't have been so troublesome had I not recently discovered on a semi-annual perusal of my account at Friendster that she had de-listed me as a friend.

Why should I care, right? I mean, we really aren't friends anymore. We don't even talk to each other. But rationality rarely plays a prominent role in situations such as this. I was the precipitating force in the break-up. (And I say that not in a righteous manner but as an acknowledgment of my responsibility in the ordeal.) So why am I so troubled that she de-friended me?

It's just always a jolting feeling when things that have always been cease to be. I wonder if this is what Andie felt when Duckie grabbed Iona, kissed her, and exclaimed, "You've been replaced!" (Did I just make a Pretty in Pink reference? Leave me alone. It has a good soundtrack, damn it. Oh, the perils of growing up with three sisters ...)

At the heart of it, I think what's bothering me is that I do wish things were otherwise. I do wish that we were still friends. But I know that, for her sake, we shouldn't (and perhaps can't) be.

Such is life.

You Go First

Quite the beautiful day for a bike ride. Nice and breezy, but not too windy. Not a cloud in the sky. Upper 70s in late October. Couldn't help but be in a good mood.

After I made it up to the 70s by the Trump buildings, I ventured out onto the pier to sit for a while and stare out at the George Washington Bridge -- my favorite bridge in the city, especially at night. Not sure why, but while sitting there, a strange memory flashed through my mind.

A few months ago, while walking through Grand Central, I saw a kid run across the main concourse and launch into a slide on his belly. I felt as if I were watching a fantasy sequence from a movie. You know, one of those scenes that unfolds in slow motion with music box sounds in the background. And I thought: Wow, how fun would that be?

The times, they are a-changin'

I think it's safe to say that I've undergone a metamorphic change in the past few years. I went through all of high school, college and law school without drinking -- not so much because it was taught as the wrong thing to do but because of a philosophical objection. It's hard enough when I've got all my faculties about me to figure out which experiences are genuinely mine; I didn't want my experiences to be clouded by a foreign influence. Besides, drinking was the cool thing to do, and that made it undesirable by default given my distaste for the mainstream.

All of that is a long-winded setup for this: I just got in from a bike ride, and the first thing I did was reach for a beer in the fridge.

He's Lost Control

Oh wow. Just saw Control, Anton Corbijn's debut feature film about the unraveling of the life of Ian Curtis -- the woeful lead singer of Joy Division. I haven't written for a while, but after I saw Control, I knew I couldn't go to sleep without writing. It's experiences such as this that make a blog worth keeping.

I've never really been a big Joy Division fan, but I've always known their history by way of obsessing about New Order. So the general subject matter of the movie wasn't foreign to me. And much of the specifics weren't either because I had read three glowing write-ups about the film (here, here and here). Usually, that's a pretty good formula for a letdown. But I was blown away. Far away.

The movie made me feel. It tugged my heartstrings hard every which way. I felt joy. I felt disdain. I felt sympathy. And I felt desolation. I seemingly felt what Ian felt.

The last movie to elicit such a reaction from me was Lost in Translation. It has a certain understated elegance that's bolstered by a sublime synchronization of moods between songs and scenes. And Control shares that convention. Joy Division songs have such a haunting quality that they may as well have been written with the intention of being used as the soundtrack for a movie about Ian's life. When I heard the initial synthesized drone of "Atmosphere" as the closing credits rolled, I felt a sinking feeling within -- a feeling not unlike the sensation of falling experienced while in descent on a roller coaster. A feeling also not unlike that experienced when breaking up. It's as if Joy Division had recorded an elegy for Ian's funeral.

I read that the cast actually performed the music in the concert scenes (in front of audiences of actual Joy Division fans). They sounded quite convincing. Often times, they sounded so good that I'd buy their album if they were to make one. Perhaps it's just that they were performing Joy Division songs with the help of modern production techniques. Maybe that's what the new remastered Joy Division albums will sound like when they're released later this month.

Sam Riley, who played Ian, was particularly impressive in his performance -- both as a musician and as an actor. He rarely had to say anything to communicate a sense of despair. That vacant, forlorn look on his face always said plenty.

Of course, Anton's brilliant direction surely helped. My favorite shot is that of Ian looking at his newborn sitting in her crib. The shot was framed from the perspective of the newborn, such that Ian appears to be behind bars as he looks at his child. That shot mastefully captures the constrictive nature of Ian's existence as he must have seen it.

I do wonder whether I'd have enjoyed the movie as much if I weren't a fan of New Order and, by extension, Joy Division. I suspect that it wouldn't have been as awe-inspiring, but it still would've been engrossing. (Kinda like Lost in Translation. The music elevated the movie from the status of pretty good to that of unforgettable.)

It's not often that a movie makes me feel. And I'm anxious to feel it all again soon.

Who Do You Think?

My life feels more complete now: I've finally seen Interpol live.

Not the greatest of shows, but it'll do. They're extremely polished live. Almost too polished. If Interpol live were a performance vehicle, it'd be more "mechanical BMW" than "flashy Ferrari." Straight lines, all business.

I can't remember what the first song was. Maybe "Pioneer to the Falls." But I definitely remember the second one: "Obstacle 1."


That's my favorite Interpol song. Perhaps my favorite song. It's the only track on my iPod that enjoys "never-skip" status. Happy, sad, angry, sunny, cloudy, rainy: it gets played. A bit anticlimactic to hear it so early in the show.

And the crowd was strangely subdued. (Odd comment from me, right? I'm as lackadaisical as they come at a show. But I'm always like that.) I think the vastness of the venue had a lot to do with it, much like the atmosphere for Modest Mouse at the Nokia Theater. Interpol's got a bit of a Goldie Locks problem right now: too big to play with the little boys, but too small to play with the big boys. MSG wasn't close to being full, which meant that many people there didn't have to try very hard to get there. No wonder there was a mass of people who scurried for the exits after the first of two encores. You'd never see that at Bowery Ballroom because it'd be filled with true fans.

Oh well. Whatta ya gonna do? All distractions aside, it was a very good performance. My only serious gripe is that they didn't play "Who Do You Think." Quite surprising, since that's the latest single off their new album.

A Greedy Bastard, Aren't You?

So I'm asking a friend at the office if he's got any friends who might want a pair of tickets for Interpol. He wonders aloud why my friends don't want them. I tell him that my concert-going friends aren't anywhere near the city. My friends who are in the city aren't of the right sensibilities. I tell him that they'd wonder: "Interpol? Why do you want to see a law enforcement agency?"

[Update: I'm out at dinner with a friend a few days after the show, and I mention that I saw Interpol. Rather predictably, he responds: "Who? The international police?" This is the same friend who had music on in the background while we were on the phone earlier this week. I pointed out how unusual it was to hear music on his end of the line. He told me that he was streaming music from the web, trying to stay hip. I asked what he was listening to. "John Mayer," he said. And I said, "Try harder."]

I finally got rid of the last of my extra tickets for tonight's show. I've definitely learned my lesson. (Well, maybe.) I almost never buy albums on iTunes, but I pre-ordered the new Interpol a couple of months ago just so I could get the pre-sale code for tickets to tonight's show at MSG. (Of course, I still intend to get the album in CD form.) I should've known from past experience that a pre-sale doesn't guarantee good seats. The best I could get was two for Section 38, which is at the very rear of the arena, albeit on the floor. When the general sale came along, I jumped in for another pair and got something much closer. Being the obsessive freak that I am, I kept checking to see what else was available, and I snagged two more tickets in the pit -- the "standing room only" area directly in front of the stage. Couldn't decide whether having a seat would be preferable to being in the pit. Besides, I figured I could easily dump the extras.

Man, was I wrong. It seems Interpol may have been a bit too ambitious. They couldn't sell out MSG, and there's a flood of tickets available on eBay and Craigslist. Fortunately, I was able to find someone pretty quickly to take the two tickets for the pit at face value. But I had to dump the two tickets in Section 38 at a loss a couple of hours ago.

Maybe Interpol will have learned a lesson, too. Maybe they'll play five nights at Bowery Ballroom next time instead of one night at MSG. I hate big venues. So impersonal.

Regardless, I'm as excited as can be to see them tonight. They're at the top of my list of favorite bands whom I haven't seen live. In a few hours, I'll have to find someone to take their place atop that list.

(Already figured it out: The Radio. Dept.)

Relax. Take a Deep Breath.

Argh. I hate flying. I’m aboard a plane right now that’s engaged in that most annoying of maneuvers called a holding pattern. I think we’re only minutes away from Houston, but we can’t land because the airport’s closed due to a thunderstorm. The pilot thinks that we’ll have to divert to New Orleans to refuel.

Woohoo! He just came back on the PA. The airport’s open again, and we’ll be able to land without making a detour. I wonder if he was playing the same trick on us that doctors play? You know, that game where doctors ooze doom and gloom and tell their patients that the prognosis is not good. And then, by some miracle (say, perhaps, the doctor’s amazing skills), the patient makes a full recovery.

I’m just glad this three-hour flight won’t turn into a six-hour flight. Mom’s beef noodles are waiting. Mmm … beef noodles. And mmm … chicken fried steak. (I once said “I’ve missed you" to a chicken fried steak -- acknowledging its long absence from my belly -- before devouring it.) And mmm … barbecue. Can’t wait to go to The Salt Lick.

I think this thin air is messing with my brain cells. Better stop writing before silly gives way to incomprehensible.

Splish Splash Along the Skykomish River

Last month, I finally made my way out to Seattle and Vancouver. I’d been meaning to go for a long while. In fact, a couple of years ago, the trip came so close to materializing that I had actually booked a flight. But because of the bunglings of a friend who should be glad that I don’t name names in this forum, the trip was cancelled.

It’s definitely a beautiful part of the continent – Vancouver especially. Water everywhere. (I have a certain affinity for water. I don’t understand how people survive in landlocked cities. Like Dallas.) Mountains everywhere. And Asians everywhere. I’ve never had dim sum that was better than what I ate in Vancouver. Wish I had more time to spend there, but we had much to do elsewhere.

From Seattle & Vancouver

Our very hospitable tour guide was an old friend from high school. He recently moved to Seattle from Phoenix just so he could go “yaking” all the time. (That’s “kayaking” for the uninitiated, by which I mean normal people. He’s a fanatic!)

Yaker friend put together an amazingly fun whitewater excursion for us along the Skykomish River. The river wound through some picturesque snowcapped mountains, the runoff from which fed the river, so it was freakin’ cold! The water temperature couldn’t have been much higher than 50 degrees. We had to wear wetsuits, as if we were going surfing in Alaska.

My only other experience whitewater rafting was along the Rio Grande in Big Bend National Park. Well, it wasn’t so much whitewater rafting as it was brownwater drifting. The water level was so low that we had to walk our raft at times.

But the Skykomish River is the real deal. It was a class III+ run with one IV+ rapid. The fear of being tossed overboard has a strange way of making you feel alive.

Thanks, yaker friend, for showing us a good time.

Off He Goes

A friend of mine who’s a fellow lawyer quit his job last week. He had been working for one of the largest firms in the world and was on the verge of beginning his fourth year. He didn’t quit to work in-house at a hedge fund. Nor did he quit to work anywhere else. He quit to travel the world for eight months. You can follow his adventures here.

Upon hearing the official word, I felt equal parts envy and admiration. Envy because he’ll be relaxing at an outdoor café in the far reaches of Eastern Europe next week while I’m slaving away inside my mind-numbing office in the bowels of Midtown Manhattan. Admiration because so many of us have dreamed of doing the same thing, but he found the courage to stop dreaming and start living.

He mentioned the idea to me a while back. I think that was the same occasion during which we mused about the idea of starting a record label. I thought that it was all just talk – fun talk, but talk. But now ... off he goes.

Along with envy and admiration comes a sense of sadness. His itinerary concludes in San Diego, where he’ll replant his roots. That’s one friend fewer for me in New York.

Let Them Stay Thirsty

Oh, wow! "Song for the Fields" is the Single of the Week on iTunes. Not the best of Fields songs, but good nonetheless. Maybe this free download will win them some well-deserved fans. But judging from the 2.5 star rating and the vast number of knuckleheaded reviews, maybe not. Oh well. You can lead a horse to water, but you can't force it to drink.

Spelling Bee

So that last post finally gets me off the schneid. I started writing that one a couple of months ago but never got around to finishing until now. Let's see how long the will to write stays with me this time.

Given my Swedish state of mind after that last entry, I'll continue with an entry inspired by my friend's cousin when she visited from Stockholm a couple of weeks ago. She told me about an amusing site called Overheard in New York, which reminded me of a funny exchange I overheard while waiting in the very long line for a First Friday at the Guggenheim.

Guy: So what's the contingency plan if we can't get in?
Girl: What's a contingency?
Guy: A contingency? It's like, when you plan to do something, and you can't do it, so you need to have a backup plan.

Quite the cogent explanation, I thought. But then it all unraveled.

Girl: Spell it.
Guy: C-O-N, um ...

If you ever watched In Living Color, you may recall the hilarious "oppressed inmate" sketch. You know, the one where Damon Wayans plays an inmate who uses big words to complain about the injustices of the criminal justice system, at one time calling it a "conspiracy -- a C-O-N [pause] 'spiracy.'" If only guy in line had seen that episode, he could've impressed his companion with his ability to ad-lib: C-O-N [pause] "tingency." Then again, he really could've just thrown together any string of letters. I doubt his companion made it very deep in the spelling bee.

It's 2:50 in the morning. Rise and shine!

Wow. If an electronic journal could gather dust, I'd be sneezing right now. Almost a half year without an entry. Quite pathetic. And it's not as if there haven't been things worth writing about.

I'm such a prisoner of inertia sometimes. Sure, I've suffered from a case or two of what a Francophile whom I once knew well would refer to as ennui. But I've also had an interesting experience or two. Let's see ... I've been to about a dozen shows, attended my first two operas, walked across the Brooklyn Bridge for the first (and second and third) time(s), gotten into and out of a relationship, and taken a couple of vacations -- including a trip to Stockholm.

Ah, Stockholm. My new favorite city in Europe.

From Stockholm - Day 3

I had such high expectations before going. After all, the trip had been in the works for a good seven months -- beginning shortly after my Swedish-born friend at work became pregnant. Her parents were planning to visit after she gave birth, and they've got this thing against staying at hotels, so they were looking for someone to trade apartments with. I gladly volunteered, because I'd wanted to go to Sweden since visiting Scandinavia World at Epcot Center about six years ago. (Yes, I visited Disney World as a childless adult. Don't judge.) And that interest kept growing as more and more Swedish bands became my favorites. Shout Out Louds, Club 8, The Radio Dept., Acid House Kings, The Legends, and most everyone else on Labrador Records.

(Ah, hell. Just did some fact checking and found out that there's no Scandinavia World at Epcot Center. The closest thing is Norway Pavilion. Swedish friend won't be happy if she sees this. Good thing she's preoccupied with the baby.)

Anyhow ... Stockholm exceeded all my expectations. It's an intriguing combination of new and old -- both sleek and quaint at the same time, all seemingly without trying. The waters are beautiful, the streets are beautiful, the buildings are beautiful and the people are beautiful. None of that was much of a surprise, really. What did surprise me a bit was the incredible friendliness of the Swedes and their amazing command of English. It was easier for me to figure things out there than in Taiwan.

And staying at my friend's parents' wonderful apartment made things even more enjoyable. They live in a very artsy but ultra family-friendly neighborhood called Södermalm. It has a SoHo/LES feel about it, except for the family-friendly part. Hmm ... so maybe it's more like Park Slope? But Park Slope's not all-too-artsy. See why Södermalm is special?

The highlights of the trip were an excursion to Gotland and a traditional Swedish dinner at the apartment of my friend's aunt. Gotland is a large island to the southeast of Stockholm. (If Stockholm were Boston, Gotland would be Nantucket.) You get onto it by taking a three-hour ferry ride to Visby, its largest city. The place feels as if it had stopped aging after medieval times. The remnants of a medieval wall surround its center, and medieval ruins dot the narrow cobblestone roads that crisscross every which way.

From Gotland

And the dinner with my friend's relatives ... it was already a treat to live as a local at an apartment in the city, but a traditional dinner made us feel even more at home. Learned so much about Swedish customs, politics, history and hospitality. It was a bit embarrassing how much more my friend's relatives -- including her very bright 19-year-old cousin -- knew about the U.S. and the world than the average American.

Definitely can't wait to go back. My friend tells me that her parents are planning to visit again around Christmas time. Another swap, perhaps?

Oh! Almost forgot to circle things back to the title. Take a look at a picture I snapped after a night out.

From Stockholm - Day 2

See the orange band in the horizon? That's no Photoshop trick. That's the sun rising at 2:50 in the morning. And it had only set about five hours earlier at 10:00. Just crazy.

From Norway with Verve

Just got back from seeing 120 Days at Mercury Lounge. Seeing a band live can be a real hit or miss experience. It takes a certain skill to sound good live -- a skill that isn't a necessary consequence of being a good musician. 120 Days definitely has that skill.

Perhaps all that gear they travel with helps. The stage at Mercury Lounge is tiny, so it's a wonder that all the synthesizers, drum machines, effects boxes, amplifiers and what not managed to find space. One gizmo was stacked atop another gizmo and yet another, creating what looked (and sounded) like a wall of sound.

Before tonight, I hadn't realized that they don't make much use of any guitars. When I first came upon them, they struck me as very reminiscent of Joy Division, which is a band that's decidedly non-electronic. I had assumed that much of the source of 120 Days' atmospheric swirls were the result of effects-processed guitars. But that's just not the case. They bring out a guitar every now and then, but it's the synthesizers that do the bulk of the work. Quite surprising for a band that has such a hard-edge sound.

Have You Tried Standing?

Work has afforded me quite a few opportunities to travel to interesting places lately. Last weekend, I was in Keystone for a retreat put together for my firm's Intellectual Property Practice Group. The main purpose was for people in the group from our various offices to get to know each other better and integrate their practices more effectively. The slightly-less-main purpose was to have lots of fun.

We were welcome to invite guests so long as they paid their own way, and I took full advantage. (I found it amusing that the only two associates who invited more than one guest were both Asian. We sure do know how to maximize value.) I've got one friend from Orange County (California, that is -- as in the O.C.) who's an avid snowboarder, and another from Dallas who just got started. So I asked them to come along and show me the ropes.

From Keystone

Guess which one's the beginner? Yup. That's right. The dope without a helmet who's futzing with a camera on the lift. I'd never snowboarded, and it was definitely a challenge. Take a look below for a recurring theme from the weekend.



It's no surprise that the parts of my body that ached most were my arms -- from picking my ass off the ground so many times. But a jolly good time was had by all. Thanks, O.C. friend, for documenting my ineptitude.

Crying Man Child Lives

A short while ago, I recounted my run-in with the Crying Man Child and my friend's brilliant idea of registering cryingmanchild.com. Lo and behold, he did it, and Crying Man Child is alive! We should each quit our jobs now and move on to bigger and better things, like coming up with yet another thing that no one will understand or care about. And we wonder why we slave away at a law firm ...

We Met in a Chat Room

I've been shamefully delinquent with the postings. It got so bad that I was mocked from Hong Kong today. Of course, the mockery was unnecessary. It's embarrassing enough to see that I went through all of February without writing a damn thing. And the two entries since then consist of a placeholder and an article pilfered from the AP. Good thing shame has a way of getting you off your ass.

There's quite a backlog of things to write about. But, for the moment, the backlog will have to remain undisturbed, because I just read a rather strange story about Mew that deserves to jump the queue. (They're playing Irving Plaza in a couple of weeks. Woohoo!)

The journey started on Myspace, as I curiously hopped from one band site to another to see the people each band features as friends. Robin Guthrie has Rachel Goswell, who has Saint Etienne, who has Annie, and so on and so forth. You could probably get a pretty good game of "Six Degrees of David Bowie" going. Anyhow ... I eventually worked my way over to Mew's site and was reminded that Frengers finally became available stateside a few weeks ago. (Hokey, yet catchy. Not quite friends, not quite strangers. Frengers.) Because I'd been on Pitchfork earlier in the day to get a glimpse of what they had to say about The Arcade Fire's new album (out tomorrow -- woohoo!), I figured I'd stop by to see their take on Frengers. (Not that it matters, because I bought Frengers as an import long ago, and who really cares what Pitchfork says anyway. Yeah, I do see the non sequitir.) No review of Frengers, but there was this interesting blurb about the female vocals on "Symmetry."

Basically, the female vocals were provided by a 13-year-old American girl whom Jonas met online when she was all of 11. As she tells it (read the Biography and the interview), she met Jonas in a chat room while looking for others interested in Hanson. Jonas said he wasn't interested (phew!) but asked her what else she liked listening to. One thing led to another, and eventually the little girl was flying off to Copenhagen with her mom to record "Symmetry."

A bit creepy, yet kinda sweet. Let that be a lesson to ya. There's no shame in meeting a girl online, or in professing your love for Hanson.

Please Excuse the Intrusion

Couldn't help but laugh when I saw the headline for this story.

Swiss Accidentally Invade Liechtenstein
THE ASSOCIATED PRESS
Published: March 2, 2007

Filed at 8:43 a.m. ET

ZURICH, Switzerland (AP) -- What began as a routine training exercise almost ended in an embarrassing diplomatic incident after a company of Swiss soldiers got lost at night and marched into neighboring Liechtenstein.

According to Swiss daily Blick, the 170 infantry soldiers wandered 2 kilometers (1.2 miles) across an unmarked border into the tiny principality early Thursday before realizing their mistake and turning back.

A spokesman for the Swiss army confirmed the story but said that there were unlikely to be any serious repercussions for the mistaken invasion.

''We've spoken to the authorities in Liechtenstein and it's not a problem,'' Daniel Reist told The Associated Press.

Officials in Liechtenstein also played down the incident.

Interior ministry spokesman Markus Amman said nobody in Liechtenstein had even noticed the soldiers, who were carrying assault rifles but no ammunition. ''It's not like they stormed over here with attack helicopters or something,'' he said.

Liechtenstein, which has about 34,000 inhabitants and is slightly smaller than Washington DC, doesn't have an army.

And Now, for Something Completely Different

Just a short entry to displace the last one. A bit too eerie to have an entry about death hang around at the top for such a long time. Of course, the better solution would be to write more regularly. But this will have to do for now. Sometimes, "not horrible" has to be good enough.

The End of Consciousness

The funeral last weekend got me to ruminate on something I used to obsess about: death. When I was growing up, the thought that I'd cease to exist one day scared the hell out of me -- often to the point of paralysis. Of course, I first had to grasp the concept before I could be scared by it.

I remember with vivid clarity the moment I came to understand what it means to die. I was at a church camp in Huntsville during the summer between third and fourth grade. (When my family first got to the States, we went to church regularly. Being Buddhist didn't mesh with the fabric of our Americanized social circle. Let's put aside my current views on religion for another day.) At one of the morning Bible study sessions, the topic of discussion was the concept of heaven and what happens to your soul when you die. The whole thing just didn't make sense to me.

That night, I attended a mixer that was really intended for older kids. I felt out of place and went outside with one of my buddies -- a buddy whose family attended church not to fit in but because they were believers. (Or so it seemed to me anyway.) I figured he must've understood the Bible study session that morning better than I did, so I asked him to explain what happens to us when we die. I found his response unsatisfying, and I must've let it show, because he took off and went back inside.

As I stood there on my own, I stared up at the sky and saw the many stars staring back at me. Just then, it hit me. I'm not going to be able to remember any of this one day. I won't be able to think anymore one day. I'm going to lose consciousness forever one day. That realization scared me, but it also angered me, because it all seemed so senseless.

I don't remember so vividly what happened next. But I do remember lying in bed many a night afterwards praying to a God whose existence I doubted for his grace in not letting me die.

An even more devastating moment came a few years later, when I learned that the sun would one day cease to shine. Before that moment, I took some solace in the thought that, even when you die, your legacy stays behind -- whether in the memories of others, in the things that you've written or in the form of your children. When I learned that the sun would one day cease to shine, I understood that, one day, the world would cease to exist. That realization seemed even more senseless than the realization that I'd die some day.

I suppose it's little coincidence that I eventually discovered and grew to admire Camus. As he puts it: "There is but one truly serious philosophical problem, and that is suicide." I guess, even as a kid, I was already an existentialist.

Epilogue

This just came to me. I wish I had my heavily marked-up copy of The Stanger handy so that I could insert direct quotes, but paraphrasing will have to do. (I lent that copy to my sister, which essentially means that I sent it into a black hole.)

While Meursault was in prison, an official became annoyed with his godlessness and demanded to know what he wanted in the afterlife. Meursault's response?

To remember this one.

The Tick Tock of Life

I had to go home to Houston to attend a funeral over the weekend. My mom called last week to tell me that my "uncle" from Kingsville died. He wasn't really my "uncle" in the blood relations sense, but that's beside the point.

I really don't know him very well, but I hold fond memories of him and his family. When I first got to the States, my sisters and I spent weeks each summer at their house in Kingsville. Those were the summers during which I was introduced to Americana. I ate meals with the family at the dining table. I swam in the backyard swimming pool. I splashed about in the waves at South Padre Island. I learned to play Uno. I bought a Nolan Ryan glove at the local Wal-Mart. In short, I became more American. For an FOB kid struggling to fit in at school, that meant a lot.

The funeral wasn't a somber occasion, which was refreshing. Most everyone was in good spirits -- a life-affirmation sort of mode. It was good to see all my "cousins" again. I hadn't seen most of them in years.

Sirens in the Desert Beckon Again

The lineup for Coachella 2007 has been announced, and I'm concerned how we're gonna make this work.

I've known for a while that the festival would run for three days instead of two this year. When I got that news, I felt a sense of dread instead of excitement. Sure, an extra day means extra bands. But it also means that the talent pool each day will be even more diluted than it already was.

Aside from a concern about the talent, I was also concerned about getting everyone to show up for three days worth of sweating in the desert. It was hard enough last year as it was. I knew three days would be a near-impossible sell.

So the lineup comes out, and my sense of dread is affirmed. A couple of must-sees here and there sprinkled amongst a whole lot of "huh?" I mean, Willie Nelson? Makes even less sense than Madonna. I relented last year and dropped by the dance tent to catch a glimpse of Madonna. If I'm there for Day Three this year, you can bet that I won't be swinging by Willie's tent.

Of the bands on the roster this year, I'm most excited about seeing Interpol. I've been a huge fan for several years now, but I've somehow managed not to catch them live ... and they're from NYC.

I can still remember quite vividly the first time I heard about Interpol. It was March of 2003, and I was having brunch with someone who had just seen Interpol the night before. She raved and raved about them, but I had no idea what she was talking about. Part of the reason we were having brunch together was that I thought we had similar musical sensibilities. But her ebullient summation of the Interpol show made me realize that we weren't on the same page: she was living in the present whereas I was stuck in the 90's. I went home that afternoon and bought 10 new CDs. I think that was the beginning of the re-immersion process. Interesting how someone who drifts into your life for only a fleeting moment can have such a dramatic effect on the course of your development.

We'll see how Coachella 2007 shakes out.

To Sell But Not Sell Out

Given my sensibilities, commercials have always been a good source for introductions to new bands. I think Volkswagen started the trend of featuring stylish, obscure music in its commercials back in 1997 or so. What was that tag line? "On the road of life, there are passengers, and there are drivers. Drivers wanted." If I remember correctly, there was one commercial each for the Golf, Jetta, Passat and Cabrio. One of the commercials featured "Sweetness and Light" by Lush. Another (I'm pretty sure it was the Cabrio) featured a catchy tune sung by a woman with a breathy voice. (Yeah. That was the "ethereal female vocals" era of my musical enlightenment.) The song was so catchy that I just had to know who sang it. One day, I decided to call 1-800-DRIVE-VW to try to find out. I didn't really expect to get anywhere. But, lo and behold, VW anticipated getting calls from wackos like me! Their operator was fully prepared to give the name of the artist and title for each track featured in their commercials. Of course, she also wanted my address so that she could send me a VW brochure. But that wasn't a big deal. I was so tickled by that point that she could've sold me a Passat over the phone. Anyhow ... that was how I discovered Ivy.

On occasion nowadays, I actually find myself a bit ahead of the curve, no doubt due to my recent re-immersion in music. When I saw the Honda Civic "Freedom" commercial, I was very excited to hear The Go! Team's "Huddle Formation" in the background. I wasn't surprised to hear their music used in that context, given the peppiness of their songs. But the commercial itself isn't what prompted me to write this entry.
(That's Kevin Spacey doing the voiceover, by the way. More useless information for ya.)

I'd seen the Cadillac "Roll" commercial a few times, and each time I'd found the song in the background to be rather intriguing. Until a couple of days ago, I hadn't been intrigued enough to look up what it was. But I finally headed over to Adtunes to take a look. (Great site for figuring out the name of any song used in a commercial, TV show or movie.) Turns out the song is "Punkrocker" by Teddybears (featuring Iggy Pop). (So much for being ahead of the curve, huh?)

But let's get back to The Go! Team. Adtunes has a retrospective on its homepage called "Top Ad Music of 2006," and No. 4 on the list is an entry called "It Didn't Stop The Go! Team."

The Go! Team band founder Ian Parton claims he doesn't like licensing music for ads. "I think music should be kept special, and I don't think selling it for a commercial is a good way to do that." So why is The Go! Team song "Huddle Formation" in a Honda Civic "Freedom" commercial as part of the Honda "Reverse your thinking" campaign? The band offers an explanation in their official forum.

Here's the explanation.

This is a fair comment and I knew people would be disappointed (including me)

certainly no change of heart - I hate bands who do adverts. I've turned down lots in the past - forgoing potentially lots of money. It got to the point where the people who publish go team songs were getting so fucked off that being dropped was looking very likely - they weren't making any money. theres a limit to how many times people will take a No.

I'm not worried about fucking people off but the trouble is that for the second album we need a publishing company to clear the samples (which is what a publishing company does) before it gets released to avoid the mistake of the first album. It would be a serious handicap to have an album full of uncleared samples.

basically this ad was a concession so that there would be someone to clear the samples. Hypocritical i know but its a tricky thing to navigate through when you make sample based music. it's a minefield.

Quite refreshing to see a band respond to the concerns of its fans. I feel for bands like The Go! Team. Their fans (myself included) often subscribe to an overly romanticized indie ethos that entails an irrational scorn for commercial success. Why should The Go! Team have to justify their licensing of "Huddle Formation" to Honda?